Let the film's actual shape guide the message
An early synopsis may describe the script more accurately than the finished edit. As the film develops, review the logline, short synopsis, tone, and audience promise. Avoid promoting a version of the story the final film will not deliver.
The central question is practical: if a viewer arrives because of this description, will the film meet the expectation we created? Strong positioning helps the right audience recognize the right film.
Make promotional assets part of the finishing conversation
Key art, trailers, teasers, approved clips, and captioned short-form edits each serve different needs. Decide which are necessary, who approves them, and when suitable footage and audio will be available. Avoid circulating an unfinished asset as though it were final.
Use a shared approval record so old versions do not continue appearing on a film page or in press outreach. Check that names, credits, title treatment, and release information match across materials.
Prepare an electronic press kit that answers real questions
Give reviewers and journalists a simple way to request what they need. Make private viewing access understandable without publishing confidential screener credentials on a public page.
- Current synopsis, logline, and filmmaker statement.
- Accurate runtime, genre, language, credits, and production facts.
- Approved stills, portraits, captions, and image credits.
- Trailer link and authorized screener instructions when ready.
- Confirmed release information and one responsive press contact.
Coordinate publicity with festivals and distribution
Review the actual rules of festivals and agreements that apply to your film before sharing screeners, clips, or release details. Do not assume that every festival treats online availability or premieres the same way. Coordinate publicity dates with partners when agreements require it.
Prepare alternative campaign paths for pending decisions. A festival invitation, distribution discussion, and confirmed release are distinct statuses; public wording should reflect the one you actually have.
Plan who can fulfill media interest
Confirm interview availability, spokesperson topics, and sensitive boundaries before pitching. A strong guest angle should offer a useful conversation beyond “please watch my film.” Think about craft, the story's themes, or a documented production experience the audience can learn from.
Set a release-readiness review before beginning the launch push. A live viewing destination, approved materials, and a team ready to answer inquiries give attention a better chance to become action. The Elephant Room Ltd Co helps connect that preparation with the project's publicity scope.
Prepare your materials with our independent film EPK checklist ↗.
Common questions
Can publicity begin before the final edit is complete?
Yes. Positioning, asset preparation, research, and some verified announcements can proceed. Screeners and public materials should reflect their actual readiness and applicable permissions.
When should I announce a streaming date?
Announce it when it is confirmed and authorized for publication, with accurate platform and territory information. Keep tentative dates in internal planning.
